Issue 215: At the Movies Everything introductions to each portfolio by

introductions to each portfolio by art historian Dr

well known for his atmospheric nighttime photographs of suburban America that tap into our collective memory

we explore the dynamic of working together separately

question our experience of colour with Jessica Eaton in Custom Colour

Issue 215: At the Movies Everything introductions to each portfolio byFor this issue, we've ventured a little further afield to focus on the relatively unexplored photographic space of the film set, and peek behind the scenes of some of the biggest films (and photobooks) of recent times, with the photographers hired (or not) to document that space. Working to someone else's brief can ignite creativity through its restriction. The natural boundaries placed on photographers shooting on film sets can sometimes facilitate